A sculpture conveys messages not only through its subject matter, but also in its materials, textures, scale, location, it's relationship to light, and even sound. From the representational to the radical, the three dimensional object transmits sensation and emotion through its physical presence. The sculptor can choose from a multitude of materials, both traditional and non-traditional. From carving and modeling, to mould making and casting, to assemblages and even earthworks, the choices are almost without limit. From representational forms to the abstract, or purely for the joy in the process, the sculptor's world is a playground of potential.

 

Program Highlights

The studio-based environment of this 14-week immersion program is flexible, making it suitable for both beginners seeking a starting point as well as advanced artists looking to refresh their outlook and expand their skills. Through basic manipulation of materials, students will learn the tools and techniques demanded by both additive and subtractive processes using metal, clay, stone, and wood in carving, modeling, casting and building. The construction of maquettes will be included in the design process as projects are developed. Assemblage, where the form can range from simple to complex and materials from rare to recycled, will open up even broader possibilities for students interested in less orthodox explorations. Professional practices in presentation, business, and marketing are addressed to develop individual student plans for exhibiting and selling work in different venues. Projects of increasing challenge help stimulate students¿ creative potential, and these studies are complemented by courses in design, drawing, and art history. Both contemporary and historical perspectives in this program support the design and innovation that allow the sculpture artist to realize his or her personal preferences for both materials and subject matter. Particular attention will be given to the relationship between the sculpture and where it is located. Studio sessions will include research and discussions to encourage the critical assessment of work and establish a personal style.

 

Why Choose Fleming?

Our Sculpture Certificate program is taught by leading artists working in this medium. The program is held at the Haliburton Campus, home of the Haliburton School of The Arts, which is highly respected in artistic circles. Instruction is a combination of lectures with a lot of hands-on practical exercises. In addition to being in studio classes for 32.5 hours per week, the studio is open for five hours per week so you are able to work on independent projects.

 

What it Takes to Succeed

An interest in sculpture is essential to your success in this program. Other skills, abilities, and attributes that would be assets include:

• oral and written communication skills
• an open mind
• willingness to learn
• an interest in exploring the creative you
• ability to commit to intensive format
• previous sculpture, clay, or art experience

 

Career Opportunities

This program will appeal to the serious student who is seeking either to build an excellent foundation portfolio of work before pursuing further academic study, or to develop the technical skills required to work in fabrication and construction for theatre, film and museum productions.

 

Minimum Admission Requirements

OSSD with the majority of credits at the College (C) and Open (O) level, including:

• 2 College (C) English courses (Grade 11 or Grade 12) 

When (C) is the minimum course level for admission, (U) or (U/C) courses are also accepted.

Mature Students
If you are 19 years of age or older before classes start, and you do not possess an OSSD, you can write the Canadian Adult Achievement Test to assess your eligibility for admission.

 

Selection Process

 

Related Programs

You may want to consider one of our other art certificate programs.

 

Diploma Requirements

This certificate comprises 14 credits, which is more than one half of the credits required to complete the Visual and Creative Arts Diploma. Each credit consists of 32.5 hours of in-class instruction and 15 hours of independent work.

 

Additional Costs

The $648.00 material fee is included in the tuition/fees.

Course	Hours
Semester 1
Art History X: Sculpture	47.50
Carving - Sculpture	47.50
Design - Sculpture	47.50
Drawing - Sculpture	47.50
Large Scale Mixed Media	47.50
Marketing/Portfolio Development	47.50
Modelling and Casting	95.00
Sculpture Fabrication I	47.50
Sculpture Fabrication II	47.50
Sculpture Fabrication III	47.50
Sculpture Project Development	95.00
Specialized Techniques and Systems	47.50

Semester 1

Art History X: Sculpture

Course Number: ARTS624

A strong foundation in sculpture requires a solid historical understanding of its role and context. This course presents a sculptural journey through time, from prehistory to the 21st century and across cultures. Research and presentations will include the impact of sculpture as both public statement and means of personal expression. Students will be challenged to begin the definition of their own areas of interest and maintain it through an ongoing investigation into both historical and contemporary examples of sculptors and their practices.

Units: 47.50
Hours: 47.50

Carving - Sculpture

Course Number: ARTS106

Subtracting material from a block of stone, wood, or other matrices, is a process requiring an 'inversion of vision' - that is, the capacity to see what must be removed. Using specific tools and processes, the students will exercise the skills required to plan and execute carved forms, from the initial blocking of the work to final details and polishing/finishing processes. Balance and bases for carved works will also be considered

Units: 47.50
Hours: 47.50

Design - Sculpture

Course Number: ARTS994

The principles and elements of design will be summarized and explored in their application to sculpture. This focused course will help students develop a greater understanding of, and appreciation for, a broad sampling of sculptural works. Through research and presentation, they will explore the specific attributes of line, form, texture, balance and proportion as they apply to sculptural works from specific eras and movements. Select artists will be discussed in relation to both historical and contemporary styles. Students' personal interests and themes will be explored through journal entries and research.

Units: 47.50
Hours: 47.50

Drawing - Sculpture

Course Number: ARTS995

This course will engage the student in drawing processes as they relate to the development and description of sculptural works. Focusing on line, proportion, light, texture, colour and surface, students will produce sketches, working drawings, and presentation renderings. Simple yet powerful processes for both representational drawing skills and concept drawings will be explored in the classroom. Students will use observational drawings from the figure, as well as from a variety of natural and man made objects, as a rich source for style and form in sculptural projects. Basic colouring techniques will be explored using materials such as watercolour, gouache, soluble pencils and pencil crayons. Drawings by sculpture artists will be researched and reviewed. Attention will be given to the use of drawing in the creative design process. Students will use journals to gather research material and concepts.

Units: 47.50
Hours: 47.50

Large Scale Mixed Media

Course Number: ARTS106

Beginning with the armature, the large-scale project is determined by the gesture and proportion established by the supporting 'skeleton'. Students will design and execute a large-scale project, using armature, infill material, and concrete or aggregate surfacing. They will be challenged to experiment with assorted media integrated into the surface, addressing both form and concept in the work through their choices and applications. Consideration will be given to the sites, foundations, and logistics of handling large works for both indoor and outdoor locations.

Units: 47.50
Hours: 47.50

Marketing/Portfolio Development

Course Number: MKTG053

This course is about doing in the world of art, craft and design. Practicing artists can choose from many different paths to advance their personal and artistic goals. This course examines the ways in which artists can assess choices in further education, financing and operating their own studio, presenting themselves, and promoting and marketing their work. Students will analyze the various aspects of developing a portfolio, photographing and editing quality images for promotion and documentation, and writing an artist¿s statement, cv, cover letters, and promotional materials. They will research and evaluate the services of trade/support organizations, marketing venues, the process for grant applications, artists residencies and internships. Resources for learning the issues in successfully operating a studio, along with the business practices and legal implications of these operations will also be investigated. Students will summarize their personal goals to establish their own specific set of options for continuing their artist's practices. In class sessions will involve research, writing, presentation, and critical discussion.

Units: 47.50
Hours: 47.50

Modelling and Casting

Course Number: ARTS106

In this course students will become familiar with the processes and tools specific to casting and modelling materials. Largely forgiving, modelling materials allow for both additive and subtractive processes. Exploring dimension from relief through full three-dimensional forms, students will use plastiline, clays, and wax to develop works which can then be cast to produce the finished form. Various traditional mould-making processes will be used in casting with assorted investments. Consideration will also be given to the application of patinas and other surface treatments.

Units: 95.00
Hours: 95.00

Sculpture Fabrication I

Course Number: ARTS106

This course, which investigates the processes around working with metal, is one of a series of three courses where students will be introduced to the basic tools and techniques for cutting and assembling three-dimensional structures. These assemblages will incorporate both additive and subtractive methods. Mechanical processes for the use of fasteners and adhesives, as well as surface treatments, will be specific to the material in each course. Structural integrity and formal design will be examined with examples and studio projects using both linear and planar elements. Various processes will explored that can generate 'sheets' of material from smaller elements using both traditional and experimental media. These technical exercises will develop a greater appreciation of, and sensitivity towards, material properties: a critical part of both the creative and crafting processes. Safety practices in the studio will be emphasized including proper use of power tools, and control or elimination, of airborne particles, and potential chemical hazards.

Units: 47.50
Hours: 47.50

Sculpture Fabrication II

Course Number: ARTS106

This course, which investigates the processes around working with wood, plastic and glass materials, is one of a series of three courses where students will be introduced to the basic tools and techniques for cutting and assembling three-dimensional structures. These assemblages will incorporate both additive and subtractive methods. Mechanical processes for the use of fasteners and adhesives, as well as surface treatments, will be specific to the material in each course. Structural integrity and formal design will be examined with examples and studio projects using both linear and planar elements. Various processes will explored that can generate 'sheets' of material from smaller elements using both traditional and experimental media. These technical exercises will develop a greater appreciation of, and sensitivity towards, material properties: a critical part of both the creative and crafting processes. Safety practices in the studio will be emphasized including proper use of power tools, and control or elimination, of airborne particles, and potential chemical hazards.

Units: 47.50
Hours: 47.50

Sculpture Fabrication III

Course Number: ARTS106

This course, which investigates the processes around working with non traditional sculpture materials, is one of a series of three courses where students will be introduced to the basic tools and techniques for cutting and assembling three-dimensional structures. These assemblages will incorporate both additive and subtractive methods. Mechanical processes for the use of fasteners and adhesives, as well as surface treatments, will be specific to the material in each course. Structural integrity and formal design will be examined with examples and studio projects using both linear and planar elements. Various processes will explored that can generate 'sheets' of material from smaller elements using both traditional and experimental media. These technical exercises will develop a greater appreciation of, and sensitivity towards, material properties: a critical part of both the creative and crafting processes. Safety practices in the studio will be emphasized including proper use of power tools, and control or elimination, of airborne particles, and potential chemical hazards.

Units: 47.50
Hours: 47.50

Sculpture Project Development

Course Number: ARTS106

Through ongoing discussion with their instructor, students will develop sculpture projects in their chosen materials. Addressing both form and content in preproduction drawings, they will design and execute three-dimensional works using both traditional and non-traditional materials. Attention will be given to the context of the work with respect to location, lighting and the relation to the viewer. Group and individual critiques and discussion will support the development of the work. Students will be expected to maintain a creative journal as well as present research on sculptors with interests related to their own.

Units: 95.00
Hours: 95.00

Specialized Techniques and Systems

Course Number: ARTS629

Modern sculptors have reaped the benefits of tremendous advancements in material design and production processes afforded by twentieth century technology. In this survey course, students will be introduced to tools and methods which go beyond the traditional sculptor¿s materials and processes. This course will draw upon a wide range of informative sources, from the web, site visits, and visiting guest speaker presentations along with a measure of studio work. Subject matter may include such fields as material engineering, site specific installations, industrial adhesives, stereo lithography, multiple material integration and advanced fabrication and finishing.

Units: 47.50
Hours: 47.50